“I Put A Spell On You” is a timeless classic written and composed by the incomparable Screamin’ Jay Hawkins who created something truly special with his unique and astonishing vocal delivery. In this article, we explore the impressively creative vocality of Screamin’ Jay Hawkins in “I Put A Spell On You” and delve into why it remains a landmark performance in music history. From his haunting growls to his theatrical stage presence, Hawkins pushed boundaries and established himself as an iconic figure in both the worlds of music and performance art.
When we began recording [“I Put A Spell On You”], we started out with a slow version. A week later I was sitting at home, and they bring me a 78 of the thing. I put it on, I played it again and again. I thought they’d lied to me: this couldn’t possibly be me singing like that. So I tried to see if I could reproduce that style of singing. I contorted my mouth this way and that. I couldn’t do it. Finally I poured myself some J&B scotch, poured that down, and then I was able to do it like the record.
Screamin’ Jay Hawkins
Screamin’ Jay Hawkins: The Enigmatic Artist
Before delving into Hawkins’ remarkable performance in “I Put A Spell On You,” it is vital to understand the man behind the music. Born in 1929, Hawkins possessed a larger-than-life persona that extended beyond his vocal abilities. His stage presence and unique performance style made him a cult figure in the music industry. Mixing elements of blues, jazz, and rock and roll, Hawkins was able to create a distinct sound that captured the attention and imagination of all who listened. He became a pioneer in shock rock.
Not only was Hawkins a gifted operatic vocalist with a penchant for the macabre, but he was also an accomplished actor. In fact, his performance in the 1989 film “Mystery Train” was so impressive that he received a nomination for Best Supporting Male at the Independent Spirit Awards.
Unleashing the Vocal Fury
The defining element of Screamin’ Jay Hawkins’ rendition of “I Put A Spell On You” is his incredible vocal range and intensity. The song begins with a slow, melodic introduction, but as the chorus approaches, Hawkins unleashes his vocal fury, transforming the track into a spellbinding experience. His guttural growls, high-pitched shrieks, and controlled vibrato effectively convey the raw emotion and intensity of the song’s lyrics.
Hawkins’ ability to infuse the song with a sense of otherworldly energy sets his version apart from any other rendition. The emotional depth and power of his performance allow listeners to feel both mesmerized and slightly unnerved. It is this combination of talent and creativity that solidifies Hawkins’ status as a groundbreaking artist.
Theatricality: A Feast for the Eyes and Ears
Beyond his vocal prowess, Hawkins also dazzled audiences with his theatricality. His performances were veritable spectacles, featuring props such as voodoo dolls, skulls, and elaborate costumes. This amalgamation of music and performance art added an extra layer of intrigue to his rendition of “I Put A Spell On You.”
Hawkins understood the importance of creating a fully immersive experience for his audience. By incorporating visual elements that complemented his vocal delivery, he heightened the dramatic impact of the song. The combination of his growling vocals, frenetic stage presence, and eerie props contributed to an atmosphere of spellbinding allure.
Conclusion
The impressively creative vocality of Screamin’ Jay Hawkins in his version of “I Put A Spell On You” remains a hallmark of his extraordinary career. His ability to infuse his songs, and particularly this one, with a mesmerizing blend of raw power and haunting emotion ensures that his legacy will endure for generations to come. “I Put A Spell On You” is not simply a song; it is a spellbinding journey through the depths of Hawkins’ vocal genius.
I came into this world black, naked and ugly. And no matter how much I accumulate here, it’s a short journey. I will go out of this world black, naked and ugly. So I enjoy life.
Screamin’ Jay Hawkins
